Then I work together with a talented DJane who recently bought FL Studio. Yes, I’m producing my new single which will be released at Kontor and I also work with Gordon (one part of “The Disco Boys”) in the studio on the new single for our project Master & Servant. External sound expander and outboard equipment could be used less due to the growing 64bit platforms and improving virtual instrument market. I think the combination between software and controller or keyboards will still play a relevant role in the future of studio productions. What do you think about using hardware & software in the future? A lot of named colleagues will agree on this.Įspecially the signature bundle offers a huge range of instruments and effects which fit every need. You can produce everything with FLS from an idea to a master. Nowadays user get irritated if software offers everything you need and doesn't cost much. Only people can say this, who hasn’t even tried FL Studio. What do you think of the myth about FL not being a professional audio tool? One of those productions was a remix for an English label on a train trip to a gig from Hamburg to Mannheim. In some cases I created whole tracks for productions with FL Studio. I used FL Studio a lot to create pattern for projects or to get a hold on to some ideas for studio sessions. How did you use FL Studio in your productions? Since then I got stuck with FL Studio and never stopped using it.
The fact to compose songs and quickly notate ideas on the road within FL Studio was a real innovation for me. I was immediately fascinated by the workflow and how fast a whole song idea could be created.
When I was living in a studio complex some years ago, one of my colleagues showed me some features within FL 4.
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